Before I say anything else or show photos, I need your help. I am writing a paper on the relationship between textile artists and the word craft. I am seeking both experienced and new artists (students too), who are interested in discussing how they identify themselves, or the struggles they face in identifying themselves within the craft/art arena. Historically, the definition of "craft" has been static and changed over the ages, particularly with the dawn of the industrial revolution. Definitions of craft also vary from culture to culture. In western society, at least during the last fifty years of so, the schism between fine art and fine craft has never been so profound. At many schools, the craft versus art debate is a contentious issue and hotly debated.
Personally, I feel hopeful that this is all changing. I feel as though textile artists have a unique perspective through their frequent connections to both process and concept. I have contacted a few artists already, but I absolutely want to hear from anyone involved with textile arts who has thoughts on this.
I would be happy to forward my abstract to anyone who is interested. This is for a seminar on craft discourse and not for publication. I can be reached at email@example.com
Onto to photo-goodness.
I am the slackest Auntie in the world.
Finishing the ends too me far too long. I was pleased that the weave did actually tighten up when I washed it, as I had been worried about that. Why is it that a perfect sett on a six inch sample becomes too loose on a forty-eight inch piece?
And of course, the Stitch n'Bitch. Ours are unique in that no two people are working on the same thing.